<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Applied screenwriting</title>
    <subTitle>how to write true scripts for creative and commercial video</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Martin, Carey</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>(Professor of digital media),|eauthor</namePart>
    <namePart type="date"/>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xx</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London ; New York</placeTerm>
    </place>
    <publisher>Routledge, Taylor &amp; Francis Group</publisher>
    <dateIssued>2024</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">und</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>x, 160 pages:  illustrations</extent>
    <extent>25 cm</extent>
  </physicalDescription>
  <abstract>"Putting a vision on the page for creative and commercial video is harder than it seems. Further, many books, while often inspiring, seem to focus on writing the next Oscar or Emmy winner - which can be out of reach both logistically and financially for many. This book shows you how to bring these tools to bear in the "work for hire" environment. You`ll learn how to write what you want the eyes of the audience to see and the ears of the audience to hear, in such a way that your producer and director can read your creative blueprint and bring your vision to life - even if that producer/director is you. The text will walk the novice through a focused and practical consideration of the camera, the edit, and the sound design, in addition to a straightforward application of basic story principles. By understanding writing for video as more than creating a recorded play, readers will become more effective screenwriters and, should they wish, producers and directors as well. The book is aimed at students of screenwriting and the beginning writer for message-driven video for corporate, non-profit and commercial production"--Provided by publisher.</abstract>
  <tableOfContents>"Applied" versus "Basic" Screenwriting -- The Story: The Pulse of the Script -- The Producation Team: The Target for the Script -- The Format: The Structure of the Script -- The Scence Descriptoion: Opening the Eyes of the Audience -- Camera and Lighting: The Eyes of the Audience -- Audio: The Ears of the Audience -- The Conclusion: The Effect of the Audience</tableOfContents>
  <note type="statement of responsibility">Carey Martin.</note>
  <note>Includes bibliographic references and index</note>
  <note>in English</note>
  <subject>
    <topic>Motion picture authorship</topic>
  </subject>
  <classification authority="lcc">808.066791 M3631 2024</classification>
  <identifier type="isbn">9781003410317</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">251212</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260803094251.0</recordChangeDate>
  </recordInfo>
</mods>
